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・ Triptych (Bloodrock album)
・ Triptych (disambiguation)
・ Triptych (film)
・ Triptych (Frey novel)
・ Triptych (horse)
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・ Triptych Bleu I, II, III
・ Triptych of Nava and Grimon
・ Triptych of the Annunciation
・ Triptych of the Madonna of Humility with saints
・ Triptych of the Sedano family
Triptych of the Temptation of St. Anthony
・ Triptych of the Virgin's Life (Bouts)
・ Triptych, 1976
・ Triptych, May–June 1973
・ Triptychs by Francis Bacon
・ Triptychus
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・ Triptychus niveus
・ Triptychus olssoni
・ Triptych–August 1972
・ Triptykon
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Triptych of the Temptation of St. Anthony : ウィキペディア英語版
Triptych of the Temptation of St. Anthony

The ''Triptych of Temptation of St. Anthony'' is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501. The work tells the story of the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbott), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries. The Temptation of St. Anthony was a popular subject in Medieval and Renaissance art. In common with many of Bosch's works, the triptych contains much fantastic imagery. The painting hangs in the Museu Nacional de Arte Antiga in Lisbon.
==History==
According to some historians, the work could be one of the three ''Temptations'' recorded in the inventory of Philip II of Spain sent to the Escorial in 1574. However, it is now considered more likely that the triptych was that bought by the Portuguese humanist Damião de Góis between 1523 and 1545. In fact, the painting was documented as part of the collections in the Royal Palace of Lisbon in the mid-19th century, and in 1911 King Manuel II donated it to its current museum.〔
Although the painting has usually been attributed to the period 1490–1500, dendochronologic analysis has assigned it to around 1501.〔
Like many of Bosch's paintings, ''The Temptation of St. Anthony'' was the subject of a number of copies. Another version of the central panel is found in MASP in São Paulo, Brazil, while a copy by a follower of Bosch can be found in the National Gallery of Canada in Ottawa, and another version in the Prado Museum in Madrid. A third copy (once believed to be the original but now identified by Larry Silver, an art historian at the University of Pennsylvania, as a 16th-century copy) is owned by the Barnes Foundation, near Philadelphia, USA.

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